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Kips Bay – Round 2

After the unfortunate misfire the first time round, I wasn’t completely sure that I wanted to participate in the Kips Bay showhouse again. However, that all changed when I was shown the townhouse at 106 East 71st Street in Manhattan where it will be held from October 14th.

I was blown away by the living room. The beautiful paneled room speaks of an elegance and a formality from another era. And I felt that it would be a great way to show our work in what is a very traditional, dark room. My aim is to bring a sense of freshness, humor and lightness to it. The size of the room is approximately 29′ x 21′, a size which could intimidate some because of the overwhelming quantity of wood in it, but thinking of ying and yang, dark and light, formal and casual, I think that I could make this work. It was designed by the time I got back to the office after seeing it.

To me it was a very obvious plan, but it’s all going to be very white. I got a beautiful rug from Doris Leslie Blau and I want it to have formal elements, but with lots of very mid-century elements in it. As soon as I’m allowed, I’ll post pictures of the room empty so you can see the before and afters.

Here’s the official statement from Kips Bay:
The 38th Annual Kips Bay Decorator Show House is coming to the Upper East Side this fall with a magnificent and newly-renovated limestone mansion at 106 East 71st Street selected as the venue. Next week, top designers, including Vicente Wolf, Jennifer Post, Robert Couturier, Katie Ridder and Noel Jeffrey, will begin a seven-week renovation in which they will re-imagine each of the 17 rooms in the six-story, 10,000-square-foot townhouse to showcase the best in interior design talent and trends. With six bedrooms, seven baths, five fireplaces and a terrace that overlooks Park Avenue, the show house — the most high-profile renovation project in America — will delight design enthusiasts and anyone looking for inspiration in decorating their own living spaces. The show house will be open to the public from Thursday, October 14 to Thursday, November 11.

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And yesterday in the New York Times…

I was so excited to see this amazing fuchsia pink room we designed as a fun project for the Times appear yesterday. I really loved the experience of doing something so different - you don’t get to play the way we played with most (real) jobs. The best part of this project was that I really had to let my imagination go – and there were no reigns from the client. In fact, I think she was worried I wouldn’t be outrageous enough in my approach to the project…but it all turned out just perfectly. While the budget was much smaller than the average, we really weren’t restricted by it because we utilized our imaginations in a playful way.

Just goes to show…I don’t only work with taupes!

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Sound of Music

I am off on this evening to Switzerland to present a job we’ve been working on. I’ve been to Geneva once before, but  that entire visit lasted only three hours (I went to look at the job site!). It’s going to be wonderful to see the Alps in Summer. This project is a chalet in the mountains, so I have dusted off my lederhosen and I am looking forward to recreating the Sound of Music – who knows, maybe the hills will come alive?

I’m back Friday morning just in time for me to head out to Montauk on Friday afternoon. While I’m away you’ll see some “Ask Vicente” posts up here. If you have any questions you’ve been meaning to ask me, please mail them to info (at) vicentewolf (dot) com.

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Trusting your instinct

Each time I don’t listen to my gut, I pay the price.  And I’ve come to realize that sometimes it is better to face the music at the beginning than to try and fool yourself into looking at the world through rose-colored glasses.

Recently I had a prospective client come back to me after two years and we started the process all over again. The first time we got the ball rolling and they just disappeared – much to our frustration at the time, and after hours spent working on this project. Well, they came back now, professing to wanting to start work immediately and being very excited about working with us – both here and at VW Home. We had a one and a half hour meeting where, from my recollection of the house, we discussed what could work and what wasn’t working and I gave them some really good ideas. They asked for a contract, it was sent out.

A week went by. We followed up a few times and the phone calls were not returned. Then we finally received one to inform us that they had decided that they wanted to work with their contractor and were going to be managing the process themselves.

The thing is, when they first came back I had a sense in my gut that the same thing was going to happen, but I wished for better. And when it did (again), I went through the whole “What did I do” / “What did I say” / “Too many ideas” / “Not enough ideas” and after beating myself up a little. Mostly thanks to my shrink I realized that it had repeated itself from the first time and it had nothing to do with me. I had put my best foot forward and that this is just they way some people work.

You need to listen to your instinct and when something seems to be one way, don’t disregard it. Certainly look at it and question your role in it, but don’t beat yourself up. I’m guessing that, had we gone down this road with these clients, the same thing would’ve happened in some form or the other. I know it happens to many other designers and invariably  you end up question yourself. But sometimes you look at situations and you just know.

Have you had this happen to you?

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That first step

We just started a new job in Connecticut and my team and I went to measure the space on Friday. While we were measuring, I was struck with the idea that what to me is one of the first procedures in the job would not necessarily be every one else’s idea as a first step. I always have to start by measuring the space. I measure the walls, the elevations of windows, light switches…and to me it is creating the footprint of the space which you can then use to go from to arrange the furniture. (Here’s a good tip. Always measure the overall width and length of the space as you can then check your individual measurements against that full one.) I also photograph the room, so that I can look back and see details. The importance of having the measurements of a space like this is that your workmen can use the details from which to get accurate quotes for wall-to-wall carpeting, cupboards, etc. It’s great to visualize the whole space finished, but a floorplan is – for me at least – the most accurate way of planning a space. How do you all start a job?

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Being Published

I had a prospective client come in this week with a charming waterfront cottage that she and her partner had remodeled. One of the first things she said after we met was “I was so afraid of calling you as I wasn’t even sure you would even talk to me about such a small project”.

And this, ladies and gentlemen, is the stigma that comes with appearing in magazines. Whatever size budget people have, they always feel that it may not be big enoug for a published firm. Being published is a double-edged sword. It gives you visibility, but on the flip side it can make you seem intimidating.

I was thrilled to meet her and to share with her a vision of what this cottage could become. It got me all excited about the possibilities of working together and taking the project to a beautiful conclusion. So you see, we were both happy!

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New Project

I wanted to share these photos of a job we just installed on Friday. The apartment is great and has incredible views of New York. I think the project is quite different from my usual jobs – the client wanted very straight lines in the upholstery, which we had made, and it’s not every day one gets to incorporate such incredible views of the Hudson river into the overall design. You can see the cruise ships coming in and to incorporate it into the design, we had the library wall mirrored so when you look in that direction it reflects the activities on the river. I’m very pleased with the paneling in the master bedroom around the bed. it gives it a very smooth quality, while still keeping it warm and inviting. The client loved it, I loved working on the project and overall I think it was a big success. (Click on the photos for a larger view.)

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The Westin Times Square: Interview

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Budget Kids’ Rooms

Here’s the perfect example of how budget really doesn’t matter when it comes to creating great rooms. Here are three childrens rooms I did on a budget of $30,000 for all three, which did not include painting the walls or the floors, but everything else in the space. Two girls and one boy, I was able to work with two catalog brands and even a few pieces from VW Home, like the antique bed in the orange and pink room. The other bed is from Brocade Homes.

I wanted to create three completely different emotions. The antique bed I bought, with curtains and linens in  hot pink and bright orange with an amoeba shaped carpet on the white floors, both night tables, one a desk, came from catalogs. There’s some Crate & Barrel and some Wisteria. The elements are really a great combination of industrial with more romantic looking pieces.

In the lavender room the wall behind the bed is mauve, the curtains are stamped paper with white blackout shades in the window, the bed from Brocade Homes, the night tables are from Room & Board and I really felt that the different emotions match the personalities of the girls.

The boy’s room shows how musical instruments can become part of the decoration. The headboard are cardboard tubes that are mounted on the walls. The bookcases from CB2 become accents in the space and behind the curtains (with gromets), it becomes storage for the kids.

Not bad hey?

(As always, click on the photos to see the larger version)

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The Westin

The Westin Hotel on 42nd Street hired us to recreate the executive guest rooms, hallways and lounge.

I decided to work with very soft colors to try and bring a sense of tranquility to the environment and it’s fun to be able to show you the result. Click on the photos in this post to see a larger version and if you want to see what it looked like before, download this .pdf file: Westin Before & After.

What do you think?

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