Monthly Archives: August 2009

Are You Good Enough?

As I lay in bed with a really bad case of the flu over the weekend – feeling rather wretched – I was listening to NPR and one of the programs was a discussion about New York City, featuring different stories that have happened in the city. (There’s a purpose to this – bear with me!)

The first story was told by the man who experienced it, takes place in a subway platform. He is standing at one end and, as usual, there’s a very eclectic mixture of people waiting on the platform – some families, some hippies, women dressed in business attire, tourists…just a really diverse mix of people. At the opposite end of where the storyteller was standing, he saw this man who looked quite average – he was wearing a suit and he was walking down the platform with a pad in his hand, stopping at each person to say something to them.

As he got closer to the storyteller, what he heard the man saying was, “You leave” or “You can stay”. He went up to a woman wearing a business suit and said “You leave”, the Puerto Rican couple, in a benevolent way, “You can stay”. This being New York, nobody left and everyone went on with their business, but the closer this man got to the narrator, the more nervous the storyteller became. Would he be told to leave or to stay?

The fear of being asked to leave – for no reason and no real consequence – did not alter his apprehension of being rejected. The man was one person away. The hippie was told, with a smile, “For sure you can stay” and then he walked on to the narrator and looked him straight in the eye, took a second and then passed his judgment, “Okay, you stay”. He was so relieved and so pleased that he had been one of the chosen ones and was not rejected. The interesting thing is that even though there was no direct implication, it was such a reinforcement that played to each of our direct fear. Am I good enough?

So it got me thinking. Are we approaching our business in the wrong way? Should we advertise or post on blogs that we are interviewing clients to see who we will accept or reject, creating a sense that, well, I have to be accepted, if not, there’s something wrong with me as a client?

I don’t know if this had to do with the fever or with the headache, but in my moment of illness it seemed like the perfect solution to building up the business and keeping full control of the situation. Now I’m off to bed for some more fever-induced sleep. Let me know your thoughts on this!

Ask Vicente: Tricky Hallway

Name: Rebecca Schweitzer

Comment:

Entrance - viewed from the kitchenTo the right of the entranceHello Mr. Wolf,

First off, like all that write you, I am and have been a huge fan for years.  My mom, a designer herself, introduced me to your work.  I’m sitting here staring at my entryway/ mini San Francisco foyer wondering what to do to make it more grand or defined.  My husband and I are first time home owners, exciting and daunting all at the same time.  I’ve attached a picture of the mini-foyer.    As you can see the front door almost opens onto our kitchen  What do you think?  I was picturing wallpaper and a small crystal light fixture…  I don’t know, I’m stumped and would love any input.  In any case, I know you are incredibly busy.  I’m looking forward to the new book!

All the best,

Rebecca

Vicente Responds:

Without being there and without knowing all the particulars, I say you have two choices. Maybe put a panel of frosted glass as the entrance to the kitchen, so you are not led into the kitchen but rather into the living room. You could do a flush door – no molding or anything. You could seal it up so people are forced to go into the living room, but I like the idea of a frosted glass panel most so natural light can come into the kitchen and it gives you something to focus on. This is hoping that there is another entrance into the kitchen – if there isn’t, perhaps that is something to consider?

My first impression was to paint it a color, walls and ceiling – it should be a darker color, something to give it a sense of unity. It could be black, brown, fire-engine red. Whichever color, as you go into the space, one will find a relation. And I would paint the inside of the front door the same color as the walls so it doesn’t look like a foyer but rather a block of color. I think a wall paper would fracture the space.

Delegate some tasks!

Due to my many shortcomings and disabilities, even if I wanted to, I could not run a whole business myself and I am shocked so many times when I’m speaking in front of other designers, that so many of them try to do everything in their business. They’re the bookkeeper, secretary, drafting person, manage purchase orders and billing and my comment on that is always ‘Do you really think that you can do all these things well?’ and ‘How much does doing these things prevent you from being out there and promoting yourself, being creative, being inspired and having the time to become inspired’?

My analogy to this is that if you take a plant and you place it in a tiny pot, it’ll only grow so much, but if you put it in a big pot, you are giving it room for growth. You can’t run a business as one person, and if you say that you don’t make enough money to support an intern / part-time employee / full-time employee, just think of Harry Segal who was a big-time accountant for a lot of the interior designers. He used to say that a designer doesn’t make money by staying at his/her office, they make money by getting out there. If you’re in your office doing billing, contracts, answering the phones and handling all the administrative tasks, when do you have time to go out and think of things that you could be selling your clients or ideas for a new room or making connections with prospective clients?

And if you have the fear that only you can do it well, get over it! That is just insecurity and we all need to learn to delegate. If a client sees a one-person operation, it doesn’t give them as much trust as if they see a professional office. There are people that can be hired as a consultant that can do billing for you, others can do your PO’s. If you can understand the fact that the more professional you run your business, the more professional your office will be perceived and with that comes more respect. If you’re seen as doing what you do as a hobby, you will be dealt with accordingly.

Even if you make a little less, the freedom and self-confidence that you will get by perceiving yourself as more of a professional, will be worth the extra costs.

Ask Vicente: Revealing Sources

Name: Jane Bond
State: CA

Comment:

Hello Mr. Wolf, thank you for sharing with all of us via your blog…you are truly an inspiration! I have a question for you about divulging sources. I recently went to a design house and was fascinated to see that designers generally had two reactions to being asked about the source of items. Some were more than happy to share the origins of pieces in their design, while with others it was like pulling teeth to get even a vague reference to an item’s maker, etc. How do you feel about this? Are sources only as good as the designer who unites them into a beautiful, cohesive space, or is it a good idea to keep a few tricks up one’s sleeve? Thank you!

Vicente Responds:

Jane, I’m willing to share about my experiences and about my working process, but when it comes to my sources, especially as they’re small companies with small workrooms, I find it to be something that I keep to myself. That’s not to say I won’t tell you where a fabric comes from or a piece of catalog-furniture, but my custom shops took me many years to find and refine and, right or wrong, I like to keep that to myself.

Ask Vicente: Bathroom Woes

Name: P. Kenneth Cross
City: Washington
State: DC
Country: USA

Comment:

window in tubshowerBonjour Monsieur Wolf,

I recently bought a ground floor apartment in an Art Deco building in Washington,D.C. Built in 1930, the lobbies were once decorated by Dorothy Draper and many of her ideas still permeate the building and its apartments.

I am renovating my bathroom and, like all the bathrooms in the building, the wall tiles are black, a favourite colour of Dorothy Draper. I want to retain the Art Deco look and was thinking of keeping the black wall tiles, re-grout in black, install wall-to-wall mirrors above the black tiles, black and white floor tiles on the diagonal, and lots of high quality polished chrome light fixtures (Heath) and towel bars (Dillon) from Restoration Hardware. Would you agree or suggest something else?

My big problem: I have a full window in the tub/shower while the other apartments have openings into an air well. Can you suggest a way to keep the window, its frame, the light, while making the window ‘waterproof’ and sufficiently opaque to avoid silhouettes when the tub or shower is in use.

Thank you for your kind advice.

P. Ken Cross

Vicente Responds:

There are films that you can apply to the window glass that will allow for complete opaque-ness.

Why not think of something a little more exciting for the floor? They sell stainless steel floor tiles which would be very dramatic with the black walls and would still read very art-deco. You could also think of a mosaic pattern on the floor – they’re expensive, but beautiful. I like the black grout idea.

Buy a Dorothy Draper book and you’ll see a lot of different ideas on how she approached spaces.

At the movies – a Basterd and an Alien

Inglourious BasterdsI went to see Inglourious Basterds over the weekend. It is really great and I think though there are some slightly gory sections, it has a great story (even though it is pure fantasy). I really enjoyed it.

I compared that to District 9 that I saw last night. I was led to go see it by somebody who comes from South Africa. She was highly moved and excited by the movie. I wasn’t.

Where to next?

My 2008/2009 trip took me to Namibia where I spotted this modern chair in a very rural setting

My 2008/2009 trip took me to Namibia where I spotted this modern chair in a very rural setting

Though it sounds like I’m always traveling, it’s not really the case. It’s just that I think about traveling all the time as it is my absolute passion. My annual large trip is during December and January as my office is slow at that time and most of my clients are traveling as well. I usually take seven weeks off to travel and this year part of my trip includes two weeks in Mali. For one of the two weeks there I’ll be traveling up a canoe on the Niger river, sleeping under the stars amongst the snakes, crocodiles and who knows what else and the other week I’ll be traveling in a 4×4, visiting among other places, Timbuktu (yes, there is a place called Timbuktu!) as well as the salt flats where a lot of the salt in Africa is gathered. Perhaps you’ve seen these flats on National Geographic?

I always buy my round-the-world tickets in Thailand so I end my trip there and then the next ticket starts in Thailand on the way back. What this means is that by the time I get to Thailand in January, I need to know where I’m going the following year as once the itinerary is set, it cannot really be altered.

I also visited Easter Island on my 2008/2009 trip

I also visited Easter Island on my 2008/2009 trip

So now I have started my thinking process in trying to decide where to go on my next trip (leaving in December 2010, returning February 2011) and after much investigation, I’ve narrowed it down to two places…one is to travel the North-West and Central regions of Afghanistan – the only country in that part of the world that I haven’t been to, and one whose natural beauty is supposed to be quite extraordinary. The other place is Libya, where I’ve considered going before, but Mr Gadafi is known for giving tourists visas and then not allowing them in once they get to the airport. I know that these are not your usual tourist destinations, but for me I want to go to places that most people do not go to with a certain edge of danger and challenge. I’ll let you know what my final destination will be as the investigation process continues…

Liberty National Golf Club House

Foyer at Liberty NationalMain Bar at Liberty NationalThis weekend is The Barclays pro golfing tournament at Liberty National, where Tiger Woods and Vijay Singh (among others) will be playing and I’m very excited to say that I designed all the interiors of the country club. Though I don’t understand golf much, I do understand the drama that interior design can bring to a space, which after working on the space for two years – with a lot of drama and a lot of design – I am very proud of.

One of two bars at Liberty NationalThis pas weekend there was an hour-long special segment on national TV featuring the golf clubhouse and interviews with the owners and prominent suppliers. My firm did not receive any credit.

Foyer at Liberty NationalNow, God knows I cannot complain about lack of exposure, and you are all probably thinking ‘But he appears here and he appears there, he’s so exposed’, but there are certain projects that, when they get done, you feel that this could be a benchmark in bringing my work to a different place. As a business person, you want your work to bring different types of jobs, not just residential, but a broader spectrum of creative design. The Formal Dining Room at Liberty NationalSo when a job that you have worked on for two years gets the chance to have its exposure on prime time television (with credits) and you’re not included in those credits, it’s disheartening because we all want to hear the applause for our performance, whether you’ve just started in business or have been for 35 years. And that is part of why we do what we do, because we want that pat on the back. Plus, the possibilities of getting new leads from beautiful projects. For myself, I’m always trying to break out of the mold of being just a residential designer – hence I do photography, product design and jobs like this that says to the public I don’t just focus on one thing and that I can be considered for different types of projects. The Library at Liberty NationalEspecially in times like these it is so important for us to cast the widest net.

So, though now appearing in a small blog, here is the design that Vicente Wolf Associates did for Liberty National.The Ladies' Lounge at Liberty National

(As a side bar, for you out there who put out a contract – which you all should be doing – in mine it states that I have the right to publish pictures of my work. You should all include this clause in your contract as you then never have to ask permission to publish a job you’re proud of. You have it in your contract from the beginning and it is your right to be credited for your work – whether the client wants his name put on the piece or not is theirs.)

Ask Vicente: Who's responsible?

Name: Lucy T.
City: Reno
State: NV
Country: USA

Comment:

Hello Vicente!

I just discovered your blog yesterday and absolutely love it! I am a solo designer, fairly new to the business, and have encountered a problem that I am not sure how to handle.

I specified wall sconces for a large remodel that were just installed by the electrical contractor. I was not present during the installation as the client did not feel it was necessary for me to be there during that time. When I went to the project a few days later to make sure that everything was ok, the client told me that one of the sconces was not level; the back plate of the sconce is level, but the front of the sconce was somewhat crooked. Upon inspection it appears that the front of the sconce was welded askew to the back. I notified the lighting supply company right away and they have ordered a replacement sconce.

My question is, who pays for the sconce to be installed? Both the electrical contractor and general contractor are complete with the project. I’m not sure that my client should pay to have the replacement sconce installed, but on the other hand, I feel that she should have brought it to someone’s attention right away.

Thanks for your help!

Lucy T.

Vicente Responds:

Lucy, I think that your client assumed the responsibility when she said that you shouldn’t be there for the installation. You would have been able to immediately spot the problem and prevent it from being installed at the time. By telling you that you were not needed, your client took on that responsibility.